Friday, September 28, 2007

Wanna get drunk . . . I mean, see some plays (Drunk)?

Don't forget. The awesome begins tomorrow!

For Season 07-08, Vampire Cowboys launches its newest adventure in awesomeness, THE SATURDAY NIGHT SALOON, a semi-monthly party at THE BATTLE RANCH featuring brand new genre-bending serialized plays by NYC's hottest indie theatre artists. And the best part, it's all FREE!

Plus for a $5 donation, you get all-you-can-drink beer (or until we run out).

BE THERE FROM THE BEGINNING!
DON'T MISS OUT ON THE PILOT EPISODES!

Featuring all new exciting ongoing series by:

James Comtois
Co-Artistic Director of Nosedive Productions

Jeff Lewonczyk
Co-Artistic Director of Piper McKenzie Productions & The Brick Theater

A. Rey Pamatmat
Member of The Ma-Yi Writers Lab

Robert Ross Parker
Co-Artistic Director of Vampire Cowboys

Webb Wilcoxen
Member of LAByrinth Theater Company & Developing Artists Theatre Company

Saturday, September 29th @ 8pm

FREE ADMISSION!

at THE BATTLE RANCH
111 Conselyea Street, #2L
Williamsburg, Brooklyn

Click here for the mappage!

Monday, September 24, 2007

Poster-ific Fun!

No matter how many shows I do, I still always dig seeing new poster-art for my work. It's just pretty fuckin' cool every time. I mean, holy shit, it's my plays but as posters - that's fuckin' rockstar. Check out the new artwork for the upcoming Chicago premieres of Men of Steel and Trial by Water below. Fun stuff. Especially the new rendition of Maelstrom and that bloody fuckin' hand. Bad. Ass.


Wednesday, September 19, 2007

Here comes the awesome!

When asked who my favorite writers and theatre makers are, I rarely, if ever, name someone you’d study in your freshmen Intro to Theatre class. Ya ain’t gonna hear me spit out fools like Shakespeare, Moliere, or even Beckett. Naw, these aren’t the guys that get me jazzed. This isn’t to say I don’t like classics, it’s just that when it comes down to motivating forces, I likes to keep my eyes on those that are still living.

Anyone who knows me knows that I’m a huge proponent of new works. I love living breathing playwrights and artists, specifically the living breathing ones that I work with and see everyday in the NYC theatre scene. And it’s not because they’re struggling or working on a tight budget that makes me dig these guys and gals of the thespian persuasion, it’s the fact that they're doing some of the most exciting shit in the city regardless of excuse. Just cause it don’t have a Broadway marketing budget doesn’t mean Off-Off ain’t hot as all hell.

So perhaps you may not know my favorite theatre freaks. For the immediate, none of these individuals may be household names. But these are the sexy muhfuckahs that get me fired up. I'm talking about the folks from places like Ma-Yi, LAByrinth, Nosedive, The Brick, Partial Comfort, Youngblood, New Dramatists . . . the list just goes on and on. Yeah, you might not know'em just yet, but now that Vampire Cowboys has finally scored its own crib, I’m getting to do something that I’ve been wanting to do since I first started my company – I'm gonna show off my friends.

So a month ago I asked five badass writers and companies I know to create and come up with a five episode play series that mixes disparate genres (such as Film Noir meets Western, Sci-Fi meets High School Sex Comedy, Horror meets Animal Documentary, etc.) that Vampire Cowboys could present at THE BATTLE RANCH during one Saturday for every month between September to February. The series would be free to the public and each performance would also include a party full of drunken goodness.

What I got for my inquiry was a big bag full of awesome.

So starting next Saturday, Vampire Cowboys launches THE SATURDAY NIGHT SALOON which features the work of five of Indie Theatre's most sexy artists and companies. Please come out and see their work. It’s free, they’re awesome, and it’s gonna be helluva lotta fun! This ain't some weird money-making ploy either, Vampire Cowboys doesn’t make a dime off of any of this, our only reward is in getting the chance to entertain all of you and to highlight the work of our buddies who we think need more attention.

So please show up, Vamp fans, and show my peeps some love. I'm begging ya. Seriously. Consider yourself begged. These artists are killa.

More info below:

For Season 07-08, Vampire Cowboys launches its newest adventure in awesomeness, THE SATURDAY NIGHT SALOON, a semi-monthly party at THE BATTLE RANCH featuring brand new genre-bending serialized plays by NYC's hottest indie theatre artists.
And the best part, it's all FREE!
Plus for a $5 donation, you get all-you-can-drink beer (or until we run out).

BE THERE FROM THE BEGINNING!
DON'T MISS OUT ON THE PILOT EPISODES!

Featuring all new exciting ongoing series by:

James Comtois
Co-Artistic Director of Nosedive Productions

Jeff Lewonczyk
Co-Artistic Director of Piper McKenzie Productions
& The Brick Theater

A. Rey Pamatmat
Member of The Ma-Yi Writers Lab

Robert Ross Parker
Co-Artistic Director of Vampire Cowboys

Webb Wilcoxen
Member of LAByrinth Theater Company
& Developing Artists Theatre Company

Saturday, September 29th
@ 8pm


FREE ADMISSION!


at THE BATTLE RANCH

111 Conselyea Street, #2L
Williamsburg, Brooklyn


Click here for the mappage!

The Full Saturday Night Saloon Schedule:
Saturday, September 29th, 2007
Saturday, October 27th, 2007
Saturday, December 1st, 2007
Saturday, January 5th, 2008
Saturday, February 2nd, 2008

Wednesday, September 12, 2007

It happened on September 8th, 2007

Holy f’in intoxication, Vamp Fans, did your favorite yella playwright have a kickass weekend! Three days past the Vampire Cowboys Sixth Season's Launch Party, I’m still reeling from the tornado of awesomeness that had me spinning this past Saturday. After an entire evening of booze, more booze, and stumbling around all night with Lady Drunk partying up inside my head, I’ve come out on the other side a very changed man.

“How changed?” you might ask.

Well, I’ll give it to ya in the form of a multiple choice question.

This past weekend was pure badass because:
A) The Battle Ranch is now open
B) My 31st Birthday was on Sunday
C) I proposed to Abby
D) All of the Above.

That’s right, kiddies. If you chose “D”, then slap a smiley face onto your computer screen cause you just scored yourself an “A”.

Fictional Female Beyondabsurdity fans: WHAT? YOU’RE GETTING MARRIED? SAY IT AIN’T SO! PLEASE, GOD, SAY IT AIN’T SO! (With the accompanying sound of women everywhere hurling themselves off of buildings)

Fictional Abby Marcus response: Hey stop . . . if you girls really want him, I’m completely willing to trade him in for, say, a new iphone?

Fictional Female: Hehe. We were just kidding. Get real. There’s no financial upward mobility in dating a playwright.

Fictional Abby: No argument here.

Me: Grrrr.

I had just picked up the ring the week prior during my visit home to Arkansas. Being a NYC playwright that earns less money than your averaged cracked-out hobo (The one on my corner actually sports better kicks than I do. No shit), I decided that it was perhaps a smarter move to go for some bling with historical weight over economic shine. So instead of Tiffany’s, I opted for a Nguyen ring that’s been part of a 32 year old marriage that’s still going strong.

When I asked my mom if I could have one of her diamonds, she was more than happy to oblige. Actually, a bit too happy.

“Let me ask Abby for you!”

“What, mom? No.”

“You going to mess it up. You talk too much. Maybe you scare her away with long talking and boring stories.”

“I’m not going to scare her away.”

“You scared away Alison.”

“Who the hell is Alison?”

“Your first girlfriend.”

“From Kindergarten?”

“Yes. She looked like she was going to go places.”

“She ate paste.”

“That takes gumption.”

“She puked on me during our P.E. class.”

“That takes character.”

“Mom -”

“Just let me help you.”

“You are! Notice the ring!”

“Let me just talk to Abby. Find out what she's thinking.”

“No, mom, that’d be weird.”

“Weird? What weird? In home country, you would not even get to meet wife until day you marry. Father and Mother would do all work. We’d trade you like two bags of rice at market. That is traditional way. That is not weird.”

“Traditional way? What are you talking about? You didn’t have an arrange marriage in 'the home country'. You and Dad met here.”

“I meant if you were in home country a long time ago. With different parents.”

“Mom, no. It’s going to be okay. I'm gonna ask her myself, alright? Like a normal human being.”

“I just wanting to make sure you not going to get heart broken.”

“I won’t, Mom. I promise. Abby’s the one.”

As Saturday approached, my nerves begin to go out of control. With a ring in hand, the reality that I was going to lay down the big ask starts to sink in deep. And instead of the confident Qui that was able to calm down his mother a week before, I revert to the indecisive little kid version of me who could never figure out if he’d rather watch Smurfs or Snorks on Saturday mornings.

With the party now in full effect, Robert pulls me aside for a gut-check. “Dude, it’s almost time. You ready for this, Nguyen?”

“Um, actually, I was thinking maybe postponing this until her birthday.”

“What? Why?”

“Well, I was thinking if I give her the ring now, then in two weeks when it’s her birthday, what the fuck am I gonna do? I can’t follow up an engagement ring with a paper shredder.”

“Dude, I don’t think the two are interconnected.”

“I beg to differ. She could look at my lame ass present and go 'Whoa, I gave him my hand in marriage for his big day and for mine I get . . . a Staples gift certificate? Fuck this, I'm outta here' See, how wrong this could go?”

“Maybe you shouldn't be getting her office supplies for presents in the first place, dude. Just sayin'.”

“That's not the point.”

“What is?”

“That I'm not going to be able to top this. Plus I’m sorta drunk right now. What if I fuck up and do something stupid. Like instead of asking her to be my bride, I puke on her.”

“Dude, that’s not gonna happen.”

“It might.”

“Yo, man, stop. You're just freaking out. You’re Qui and Abby. The Abby-chu and Quizzle. It’s gonna be great.”

“I just want this shit to be perfect, man.”

“Nothing’s ever perfect.”

“I know, but -”

“Seriously, stop. Look, man, you two are great together. It's gonna be awesome. Don't worry about it being perfect and shit, man. That's a waste. If we always waited for the perfect opportunity to do everything, we’d never end up accomplishing anything. Hell, there’d be no Vampire Cowboys with that kind of mentality. Most times it just takes brash courage and a shit load of tenacity to get what we want. Or have you forgotten?”

“No. I haven’t.”

“Then what's the big?”

“Nothing, I guess.”

“So let’s try this again, Mister Nguyen. Are you ready for this?”

“No. But fuck it. I’m gonna do it anyways.”

“That’s what I'm talking about.”

As I looked over the crowd assembled at the Battle Ranch, it was a house filled with so many of the people that has made up my life here in NYC. Along with all our buddies in Vampire Cowboys, there were friends from Ma-Yi, Nosedive, LAByrinth, The Brick, Partial Comfort, Youngblood, and almost every other theatre company I’ve ever worked with scattered throughout the studio. As Robert and I approached the mike stand to welcome everyone to VC’s new home, I knew it was time. I wanted all my friends to be part of the most important question I’d ever ask.

“Thank you all for coming tonight,” I greet the crowd. “It’s obviously a very big deal for us to be opening this space. It’s a dream come true.”

The crowd applauds.

“But none of this would be possible without Vampire Cowboy’s Managing Director, Abby Marcus, who’d I like to join me right now onstage.”

All eyes turn to her. She’s is in the corner of the room working the lightboard.

“Come on up, baby,” I coax her.

She looks at me and shakes her head no.

“It’s okay. Just come here.”

“Qui, just finish your intro!” she pleads.

“No. Come here. Please.” I give her that look that lets her know that the show is gonna stay on pause unless she moves. And because she’s a consummate professional, she gives the crowd what they want.

“Fine. Okay.” Abby reluctantly complies. She exudes a fake smile as she steps up beside me.

“As you all know, Abby’s an amazing producer. She’s the backbone of this company - the one who’s made all of this possible. She’s an amazing professional who’s turned this dream Robert and I had five years ago into a reality. For that, I just want to take this opportunity to thank her.”

Everyone claps for my lady. She blushes.

“Can I go now?” she whispers.

“Not yet,” I indicate. “Though you may know her as our producer, what you may not know about Abby is she’s also my girlfriend. We've been together for almost four years now and throughout all that time, she’s been my partner, my bestfriend, and my greatest supporter. She has always stood beside me as I pursued this life as a writer. And for that, I owe her everything.”

The crowd begins to sense what’s about to happen. The house goes completely silent.

“At midnight tonight, it also happens to be my 31st Birthday. And for this momentous occasion, there isn’t anything I want more in this world than to have Abby Marcus be my wife. I love her with every single cell of my body and want to spend the rest of my life alongside her. So with that said . . .”

I turn to Abby, leaving the mike behind. Her face is completely shell-shocked. She giggles and shakes her head knowing what words are going to spit out of my mouth next. I drop down to one knee and pull out the red velvet box containing my mother’s ring. And with a whole room of our friends bearing witness, I simply ask . . .

“Abby Marcus, will you marry me?”

She grabs me. Kisses me hard. And the crowd goes fucking apeshit.

During all the applause and cheers, my darling bride-to-be leans over and whispers into my ear “I’m going to kill you.”

I smile. We kiss some more. It's a good night.

So maybe choosing to propose in a gigantic public display of romanticism wasn’t the perfect call. But, as Robert said, who cares about perfection? Sometimes it's better to just do it loud than worrying about doing it right.

Sides, Abby's gonna marry me. What more could I ask for?

Friday, September 07, 2007

Qui invades Chicago!

Whaddup, Vamp Fans! Here’s some news for all you sexy muhfuckahs out in Chicago. Two of my plays are hitting there this Fall!

Fictional Beyondabsurdity reader: What? Is it true?

Me: Yep, mofos, it’s true.

The first, which opens September 25th, is my superhero extravaganza Men of Steel being produced by Theater Wit. It's a play about . . . well, superheroes. And other shit. All of which is fun, funny, and sometimes not funny. The play was originally done last March by my mighty mighty Vampire Cowboys if that gives you any indication what kind of wackiness may be in store. It was another small hit for my band of rabid vamps that garnered great reviews and full houses. With that kinda history, I'm pumped as all hell to see what Theater Wit's version of it is gonna be.

The second Qui-joint storming Chi-town is Trial by Water being produced by dueEast Theatre Company, opening mid-October. This one was originally produced Off-Broadway by the badass folks of Ma-Yi Theater. Inspired by my real-life cousin's exodus from communist Vietnam and his voyage to America by sea, this is perhaps the most personal play I've ever written*. For any of you actor-types that are interested, dueEast will be holding auditions for it next week .

Check'em out both if ya can. Cause who knows? Chicago may hate me and, thus, this'll be the last you'll ever see any of my shiznet there. Which would be sad. Very sad. But in case that does happen, don't miss out on the car wreck! For if anything else, it'll be bloody! And we all know you animals love fuckin' bloody.

* Incidentally, it's also the very first full-length script I ever wrote. I penned it in 2000 when I was still just a wee 23 year old.

In honor of my Grandmother

Today is the anniversary of my grandmother's passing. Below was what I read at her funeral eight years ago. I was twenty-two and she passed away on my very first day of Grad School.

For my Grandmother . . .

There's something in death that makes us forget the details. As I remember my grandmother right now, it being less than twenty-four hours since she has passed away, my ability to recall her faults begins to fade.

I remember a gentle woman with simple joys. Like when we would visit home, she would rush to find money to give away. Or just sit and stare at us as we wasted our time with foolish conversation or pointless video games. When we weren't on our guard, she always cover us in her "sniff kisses". My grandmother never kissed our cheeks with her lips. I'm not sure if she forgot how throughout the years or if this was just her way of expressing a kind of caring that only she knew how to give. I also remember whenever we would leave, she would cry for hours without yield.

My grandmother was a woman with many silly superstitions. She slept in the living room to guard the family from ghosts. She would pace the halls at night to make sure prowlers could never harm her flock. She always thought we were hungry and reminded us to eat and sleep regularly. But through all the superstition, the heart of it all was a love that we sometimes misconstrued as senility. If we ever thought that, we were wrong.

I remember my grandmother when I was young. When she would rock me to sleep and sing "Doo-Dee-Doo-Dee" until my eyes were closed. She used to whip me with switches when I was bad, but screamed at strangers who tried to make fun of me. I remember being scared of the dark and having to have her stay in my room at night. When I was small, she would hold my hand when we walked to the store. And when I got big, I held hers.

My grandmother was strong and had a garden. She would move amazingly heavy objects whenever no one was around. But when she saw us, she made us thread needles for her to hem our clothes. She was a woman with many traits, one of them was being unpredictable.

She liked to yell and "talk a bit too much." She kept the house filled with debate and conversation. On the telephone, she spoke at deafening volumes. At night, she whispered in loud clatters and crashes. Yes, we complained that she complained too often. But what we never realized that was what she liked - attention that she had an opinion.

I think she died because the house became too quiet. She died because of the silence. Maybe not having me or Hung or Junior around made her feel unimportant. Maybe she thought she was no longer needed. Maybe she felt like we stopped caring because we weren't around. If she thought any of that, she was very wrong.

Or maybe she was just ready for whatever the next life would bring her and could no longer wait.

Yes, death does make you forget the details. But it never lets you forget. I love my grandmother and I will sorely miss her. She taught me how to live.

Thursday, September 06, 2007

Are you ready?

Yee-muhfuckin’-haw, muhfuckahs! The NFL officially kicks off its 2007 season tonight at 8pm on NBC with a game pitting my two favorite non-New York teams against one another. Last year’s Superbowl champs, the Indianapolis Colts, will go to battle with America’s Cinderella team, the New Orleans Saints, at the RCA Dome. And your favorite yella playwright couldn’t be more ecstatic. Anyone who knows me knows that along with comic books and sci-fi flicks, the pigskin is one of my most favorite things in the world to watch.

Where does this love for shoulder pads and slobber-knockers come from?

Well, working in theatre, I’ve heard the game of football thrown around as an analogy more times than I’ve seen sorostitutes stumble drunk on college campuses*. Listening to a typical coach’s speech, it’s easy to see why:

“It’s game time, team, and we have home-field advantage. You’ve been coached well, you know the plays, and now it’s time to execute. That means every single one of you has to play your routes, stick to your positions, and be ready for anything that comes our way. We can only win this if we’re in it from the beginning to the very end, guys. Don’t let your teammates down because whether you’re a lineman keeping it all together or the quarterback leading the drive, we’re all sharing in the victory. Remember, this is our house, boys, and nobody – and I mean NOBODY - fucks with us in our house. Now let’s go out there and kick some ass!”

Along with impassioned speeches, though, artists also often draw comparison to sports in regards to its ability to raise money, attention, and public pride. This is especially true for smaller metropolitan areas that have burgeoning theatre scenes trying to stay alive. The argument being if cities can tax folks to help build sport stadiums, then why not do the same for their art? People should be just as fired up to get theatres and art galleries on the map as they do their favorite clubs. These artists want the same kind of community exuberance for their work as they see in professional athletics.

And my heart is with them. But I say why fuckin’ stop there? Hell with just getting money and attention, let’s go for the whole shebang. I want to see fans in the house with painted faces and wearing homemade costumes supporting their favorite shows. I wanna walk through crowds of tailgaters chugging down beers before plays and share in their excitement right up to curtain. I want to hear crowds cheering when good shit happens and see people lose their voices from screaming so loud. I want the fans, the fantasy leagues, and the hype. I don't just want the monetary support, I want its friggin' fan culture.

Things, though, that I could go without:

1) Folks heckling the director when shit does go bad

2) Foam Fingers

3) The drunk fat guy who inappropriately high-fives when nothing is happening

4) Hank Williams Jr.

5) Marching bands

Sides that, a theatre with a football feel would be pretty fuckin’ sweet. And to be honest, this is what I hope to pull off for Vampire Cowboys one day. For nothing else, every profession** should have cheerleaders.

Speaking of season openers and art (Yeah, I’m a master of the segue) . . .

Vampire Cowboys kicks off our season this Saturday. Wanna show some artistic revelry? Come party with us. During the day, we gots fighting, we gots improv, we gots those badass mofos from PCP. Shit, son, we even got stuff for your kids. Then, at night, we’re blowing it up with a party featuring booz, food, and fun. And the best part is . . . all of it is for FREE! I know all you poor artistic muhfuckahs likes free. So come out, throw on your best cowboy hat, and celebrate the start of Vampire Cowboy’s sixth season football style.

Info below:

Like the way you wished your prom date would've, Vampire Cowboys is puttin’ out for free!

Come celebrate the opening of The Battle Ranch and the start of Vampire Cowboys' Sixth Season this Saturday, September 8th, 2007 with a day of cool classes and an evening of party.
Details are below:

OPEN STUDIO DAY AND PARTY - SATURDAY, SEPTEMBER 8TH

FREE CLASSES:
11AM to 12NOON: Children's Dance Class with Francesca Todesco
Dance for the young-uns, geared for children from 3 to 6 years

12NOON to 2PM: Vampire Cowboys' Stage Combat Workshop
Led by your favorite yella purveyor of kickass, Qui Nguyen

2PM to 4PM: Producing Workshop with Partial Comfort Productions
Our friends at Partial Comfort Productions dole out the theatre-producing know-how

4PM to 5PM: Movement for Actors
Led by Dancer and instructor Tami Stronach

5PM to 7PM: The Joy of Improv
Instructor Bob Lamm leads a class in improv for both performers and non-performers alike

Finally . . .

PARTY:
At 7PM, we’ll tear off our mild-mannered disguises of hum-drum and kick back for some drunk-juice, grub, tunes, and fun with THE BATTLE RANCH OPENING PARTY! There’ll be beer, food, music, and magic (Yep, muhfuckahs, I said MAGIC!). We’ll also be doing a free raffle to give out tickets and free rehearsal hours.

Saturday September 8th, 2007

at THE BATTLE RANCH
111 Conselyea Street, #2L
Williamsburg, Brooklyn

Click here for the mappage!


I hope to see ya there! Enjoy the game tonight!

YEE-HAW!!!



* And I attended Ohio University. That’s alotta fuckin’ drunks, y’all.

** Except maybe morticians. Having girls screaming “Embalm that body!” would be fuckin’ weird.

Wednesday, September 05, 2007

My momma said . . .

“You so fat!” This is my mother greeting me last Thursday as I stepped into my childhood home for the first time in over a year. “Your stomach got so big and your hair is so long! You look like hippie Buddha!”

“Thanks, Mom?” is all I can say to respond.

“What happen?”

“I ate?”

“Where your girlfriend Abby? Did you eat her as well?”

“No, Mom. She couldn't come down.”

Going home always means having to face the often harsh observations of my mother who lays down disses like Jay-Z spits rhymes. However, don't misunderstand, her critiques aren’t the words coming from a woman who’s rolling her eyes and shaking her head. My mom is just blunt. Somewhere in between her native tongue of Vietnamese and her acquired knowledge of English, the ancient art of tact got lost in translation.

Along with the slams, she’s also doles out compliments as a matter of factly as she spins her hits. For example, in a conversation this weekend regarding Abby, my mother says this:

“She is very cute girl. Very good on eye. You know this, yes?”

“Thanks, mom. I do know.”

“But, Qui, I need to telling you something. Something you must understand.”

“Yeah? What’s that?”

“She is smarter than you.”

“What?”

“Way smarter. You like big dumbass compared to her. She big bus, you little bus. She Einstein, you like . . . slow child who eats paste in third year of kindergarten.”

“Mom, I did go to kindergarten for three years.”

“That's my point.”

“I couldn't speak English!”

“And who's fault is that, son?"

“Yours!”

“If it was Abby, she wouldn't take three years. Or eat paste.”

“I'm not retarded, mom. And I didn't eat paste!”

“I not say you retarded. I just saying you seem retarded next to her.”

“Okay, mom, she's smart. I get that. But I don’t know if she's smarter or, at least, WAY smarter per say. We just have different talents, that’s all.”

“Nope.”

“What do you mean nope?”

“Is she good at math?”

“Yes.”

“Are you good at math?”

“No, but . . .”

“And you Asian! See what I saying?”

“I'm good at other stuff, Mom. Stuff that she's not good at.”

“Like what?”

“Stage Combat.”

“Can you do your taxes with Stage Combat?”

“No, but . . . ”

“You making no point.”

“I'm a writer. That takes smarts.”

“Is she a writer?”

“No.”

“That takes more smarts!”

“Grrrr.”

“Don't hate.”

My mom obviously keeps me humble. No matter what accomplishments, accolades, or awards may come my way, she has always been the great nullifier. Regardless of what I may pull off professionally, my mom keeps it real.

Coming home this time around, I was mad excited to show off my play “Men of Steel” that was recently published by Broadway Play Publishing. As my Dad and brother gave me a familial round of high-fives and congratulations, my mom kept my ego in check by saying . . .

“Why it so thin?”

“What do you mean? It's a play.”

“I thought you say you like to write.”

“I love writing.”

“This doesn’t look like that much writing. It very small.”

“That's how big playscripts are, mom.”

“Is it a short play? Like a baby play?”

“No. It’s a regular play. It runs around two hours.”

“Two hours!”

“Yeah.”

“Son, I reading a lot of book. All take much longer than two hour to read. Maybe you can be more ambitious next time. Maybe write a book that might take a whole day to read.”

“Those are books, mom. This is a play. It’s different.”

“Why picture of superhero on cover?”

“It’s a play about superheroes.”

“So it is a children’s play?”

“No. It’s a play for adults. It just happens to have superheroes in it.”

“Is it a play for . . . special adults?”

“Special?”

“You know . . . stupid adults.”

“No, mom.”

“Then why do you need superheroes to tell story? That what we do for you when you small and did not want to eat. Here is Superman flying into your mouth. Open up, Fortress of Solitude!”

“That's different.”

“Does Abby like this play?”

“Actually, yes. She does, mom. She loves this play.”

“She telling you this?”

“Yes.”

“OH! I see.”

“What do you see?”

“Abby very good girlfriend. She know when to lie so not to hurt your feelings.”

“She’s not lying.”

“You believe her?”

“Of course.”

“And that, my fat son, is why she is smarter than you.”

“MOM!”

“Go drink a diet coke.”

Some would think that having a mom so blunt would be frustrating. And, at times, it is. But when working in a business where all I do is play pretend and hide behind walls of suspended disbelief, it’s kinda nice to hear and see the world just as it is. No magic, no illusions, just simple simplicity. Cause the same mom who can drive me crazy for not realizing that playscripts aren't books is also the same woman who can bring me to tears when she says . . .

“I hate getting old.”

“What, mom?”

“I hate getting old. Don't misunderstand. I love you, son. I so proud of you and where you’ve gone. But sometimes I just miss you being home like when you were small. I miss my children. I miss being a child myself. I miss my mother and Vietnam and having the world ahead of me instead of behind. Getting old stinks, son. It hurts getting bigger.”

“Yeah, mom. Believe it or not, I know what you mean.”

“You are a good boy.”

Up until I moved to NYC, I cried only twice during my adult life. Once when my grandmother passed in 1999 and second in 2001 when my college girlfriend and I called it quits.

Now, however, my eyes always water whenever I have to drive out of El Dorado away from my parents and my brothers. It’s always in that moment when I feel my growing pains the worst.

As I left this morning to go to the airport, my mom gave me a hug and took one last crack on my rotund size by saying . . .

“I can tell you are happy. I can see it in your face. ”

She’s right. I am. Blunt, straightforward, and tactless as always. But that's my mom and I love her for it.

My mom at our family's greasy spoon restaurant, The East Main Dairy Diner, in 1988. Yes, ladies and gentlemen, she is indeed sporting the dreaded Asian perm that attacked so many unsuspecting yella ladies during the late 80's.